Guide to Mohtashem Kashan Rugs and
Carpets

JBOC Comments: See also my
older Kashan
Rugs and Carpets Guide
From the late-19th to the
early 20th century the finest quality rugs from
Kashan were called Mohtashem and said to be
from the workshop of "Mohtashem". Today
it is generally assumed that Mohtashem is an
indication of fine Kashan workshop production
rather than a firm attribution. However with the
existence of some signed Mohtashem rugs it is
certain that the workshop existed.
The early Kashan carpets were
made with imported merino wool that was called
Manchester wool. in the trade. The wool is softer
and finer than the native Iranian rug wool. This
came to an end with he financial collapse that
started the Great Depression. At the same time as
the collapse of the stock market the world rug
market collapsed as well. The major British and
German rug companies defaulted on their
commitments and Reza Shah stepped in to
nationalize the major carpet companies. At this
point the use of the more expensive imported wool
ceased and what we know as a Mohtashem Kashan
carpet ceased as well.
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The Vance
N. Jordan "Motashem" Kashan Rug C. 1900
Lot 83
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The Origin of Mohtashem
Kashan Carpets
In The
Persian Carpet A.
Cecil Edwards suggested that Haj Mullah
Hassan introduced the modern Kashan carpet through his
Arak born wife. This certainly has the ring of truth at
least to the Arak origin of Mohtashem Kashan. A
significant number of the older Mohtashem Kashan carpets
use what I call a tulip and blossom border. Old Mahal
Carpets also use a variation of the tulip and blossom
border. Mohtashem Kashan carpets and Mahal carpets both
use an asymmetrical knot open to the left. Mahal
carpets ranges from 60 to 150 knots per square inch, with
the older ones tending towards the lower end of the
scale. Mohtashem Kashans ranges from 200 to 300 knots per
square inch, with the older ones tending towards the
upper end of the scale. An interesting thing about
Mohtashem Kashans is that the oldest examples tend to
have the highest knot counts but a certain crudeness of
design. This seems completely logical if they were
created by weavers using Mahal carpets as their model.
Compare the two sections of border below:
I suggest that Mohtashem Kashan carpets
derive from Arak carpets. That the tulip and blossom
border of the Mohtashem Kashan is an old border that we
see in carpets from Arak. That the differences between to
are a result of taking a design that works well at 60
knots per square inch and translate it to 300 knots per
square inch. Why then did they have to go from 60 kpsi to
300 kpsi? In Arak they were using native wool but in
Kashan they switched to much finer "Manchester"
wool. Once the weavers adapted to higher knot counts the
designs became more sophisticated. As I move deeper into
this line of reason I believe the border is derived from
a Luri border. See Bakhtiari
Rug, Shahr Kord, Chahar 1930, Bahktiari Rugs:
Bakhtiari Rug, Shahr Kord, Chahar 1930
The Tulip and
Blossom Group
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Structure:Persian knot
Asymmetrical knot open to the left.
www.PersianCarpetGuide.com
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