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More Oriental Rug Notes by Barry O'Connell

Harold Keshishian's Shahsavan Bijar Sumac

Harold Keshishian's Shahsavan Bijar Sumac

I was reading The Sotheby's Catalog Fine Oriental and European Carpets, April 7, 1992. New York and I saw: Senneh_Kilim_Prayer_Kilim_Circa_1875_Sotheby's New York Lot_120. The "hook" for me was that the Senneh_Kilim made me think of Possibly Unique Garrus Sumak by R. John Howe on www.Turkotek.com. God love that John Howe, he is always worth reading so from Sotheby's catalog to Howe on Turkotek I called Harold Keshishian to let me see his Shahsavan Bijar Sumac.

Everybody else calls it a Garrus Sumac but I call it a Bijar. I do this because Garrus is a Kurdish tribe and Shahsavan is separate ethno-linguistic group. I solve this by using Bijar as a place name rather than an ethnic identity. Gerrus as a place does not exist except on rug maps.

(N.B. This calls to mind a visit to see a curator at the Sackler Gallery of the Smithsonian many years ago. I was disagreeing with the opinion of one of her predecessors in the attribution of an early Safavid painting. She looked at me with exasperation and said, "Mr. O'Connell you have every right to think so... But no one else agrees. )

Harold Keshishian's Shahsavan Bijar Sumac

Shahsavan Bijar Sumac

This border is one that is identified with both the Bijar area and with old Caucasian pieces.

For Further reading:

Senneh_Kilim_Prayer_Kilim_Circa_1875_Sotheby's New York Lot_120

Possibly Unique Garrus Sumak by R. John Howe

www.Turkotek.com

Harold and Melissa Keshishian's

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